What is the human, anyway?
Candice Lin (b. 1979, Concord, Massachusetts) works in Altadena, California. She received her BA in Visual Arts and Art Semiotics from Brown University,in 2001, and MFA in New Genres from San Francisco Art Institute, in 2004. Her practice utilizes installation, drawing, video, and living materials and processes, such as mold, mushrooms, bacteria, fermentation, and stains. Lin has had recent solo exhibitions at the Pitzer Galleries, Claremont, CA; Walter Phillips Gallery, Banff Art Center, Canada; Ludlow 38, New York; Francois Ghebaly, Los Angeles, as well as the exhibition cycle A Hard White Body at Bétonsalon, Paris; Portikus, Frankfurt; and the Logan Center for the Arts, University of Chicago. Lin has been included in recent group exhibitions including the 2020 Ashkal Alwan Home Works 8 Forum, 2019 Fiskars Village Art & Design Biennale, 2018 Taipei Biennale; the 2018 Athens Biennale; Made in L.A. 2018, Hammer Museum, Los Angeles; New Museum, New York; and Sharjah Biennial 2017, Beirut, Lebanon. She is the recipient of several residencies, grants and fellowships, including the Joan Mitchell Painters and Sculptors Grant (2019), The Artists Project Award (2018), Louis Comfort Tiffany Award (2017), the Davidoff Art Residency (2018) and Smithsonian Artist Research Fellowship (2009).
March 2, 2021
Fermented Face is a workshop that uses facial massage and a guided meditation to ask questions about bodily borders, ideas of porosity and contamination, and the importance of touch in these contemporary times. Participants will be mailed a small vial of artist-made salve with live microorganisms and will massage this into their face or another part of their body according to guided instructions. After the meditation, participants will journal and share aspects of their experience.
Registration for this program has reached capacity. If you would like to be added to the waitlist, please email firstname.lastname@example.org.